Since childhood, Adam has been invariably fascinated by the details and nuances of the most prosaic everyday things. The more expendable, pedestrian and disregarded the better. Anything that hints at a new purpose is slipped into his dependable shopping bag, and joins the throng of objects spilling out of every available space in his cosy cluttered flat in Catford. Continually Adam records a narrative on daily life upon his trusty cassette tape dictaphone, his singular observations and descriptions paint a rich picture of what appeals to him most. As the real life inspiration for Gilderoy, the central character in Peter Strickland’s Berberian Sound Studio, Adam is an under-recognized and particular sort of national treasure. Spend a day in his company, as he genially guides us through his habitual combing of the streets and charity shops of Catford, concocts collages at his kitchen table, and finds drama in the signage of Lewisham hospital. Eavesdrop on his multitudinous reflections upon his creative predilections, and become wonderfully enmeshed in the richly woven web of his creative processes. “Scavenger improv artisan, junk mail poet and scrapbook illustrator – Cathy Soreny’s documentary on Adam Bohman is an essential portrait of one of Britain’s most idiosyncratic and quietly prolific artists.” - Peter Strickland, Director After the film screening there will be a short Q+A with the film’s director Cathy Soreny + Adam Bohman
LÀ OÙ L’AIR FROTTE “Soon, the world will become a big sound box and your legs will be two heavy mallets. This cadence that made us feel comfortable now appears as an old story. This warm feeling of familiarity irritates you. We have to look for a new balance. Build some opposite worlds, make your teeth rattle, snap your fingers, each impact is a clue about the birth of the next gesture. Organise them. Each impact is a punch and now you need to strike hard. Paint the surfaces with a scream, no matter what its quality, it will fragment into echoes and will dissolve. Breath hard and blow but don’t stop walking. The skin behind your heels becomes hard and your feet are swollen, the pain is not negotiable, it is resonating.”
Arthur Chambry is a multidisciplinary artist and musician based in
Brussels. He makes work by weaving performance, music,
instrument-making and narration. Arthur is continuously searching
for new spaces and new instruments to create performances in which
he uses his body in bombastic musical gestures. You can find him,
alone or accompanied by performers, in an abandoned chapel, in a
theater or in a long resonating tunnel somewhere in the city. You'll
hear drones and percussions, you'll listen to tales, you'll see
lungs-balls, long flowers-clarinets and you'll feel long breaths.
https://www.arthurchambry.com/
Adam Bohman and Jonathan Bohman have been recording together since
their early teens and playing live since 1984. Their repertoire
includes a combination of sounds created in the moment and distinct
compositions including songs. They use unconventional instruments,
household objects, dislocated text from found, literary and
commercial sources and collaged layers of recordings.
They have
performed at Tate Britain, Tate Modern, Roundhouse, Royal Albert
Hall, South Bank and numerous smaller venues around the UK. Also
across Europe and America.
Their duo recordings include 'A Twist For
All Pockets' (Rossbin, 2001), 'Purely Practical' (Peripheral
Conserve, 2002), ‘Back On The Streets' (Peripheral Conserve, 2012),
‘Library Music’ (Des Astres D’Or, 2019) and ‘In Their 70s’ (Fort
Evil Fruit, 2021)
https://thebohmanbrothers.bandcamp.com/
ame has invited three musicians to do a mini Zero Parameters residency. Between the 13th and 15th they are in Huddersfield creating a brand new work for the festival!
Elaine Mitchener is a vocalist working between free-improvisation,
experimental and contemporary new music.
https://www.elainemitchener.com/
Audrey Chen has been developing her solo and collaborative practices
for the past 20 years, joining together the extended and inherent
vocabularies of the un-processed voice, cello and analog
electronics.
Since the last 5 years, she has shifted back towards
the exploration of the voice as a primary instrument, delving deeply
into her own version of narrative and non-linear storytelling.
Through extreme and unprocessed hyperextensions of her voice, she
invokes a kind of joint resonant body/space in tandem with a
Ciat-Lonbarde Fourses synth.
American born but currently based in
Berlin, she has performed widely across Europe, North/South Americas
and Asia.
http://www.audreychen.com/
Mariam Rezaei grew up in Gateshead, England, playing the classical piano. She first developed an interest in DJing at the age of fifteen and began writing music at this time. Her interest in writing with turntables developed a little while later, as she was competing in local and national DJ competitions.
She is the Musical
Director of NOISESTRA, a turntable ensemble of young people who are
residents at the Old Police House in Gateshead. She is also the
musical director of Northern Proud Voices, an LBGT choir based in
Newcastle. She is currently researching the poetry of the Persian
poet, Rumi, and the aesthetic of the Lion as Ego, the dichotomy
between Intellect and Love and its relationship with Art.
https://mariam-rezaei.com/